Patrick Carpentier began working with ceramics during an artist residency in Hanoi in 2019. Confronted with South Asian traditions, he turned to containers as a new form of exploration, drawing inspiration from Korean moon jars, Dogon jars from Mali, South African beer pots, and medieval European ceramics. His pieces reflect a search for form, history, and material that connects past and present.
This plate is made of white clay. It was first glazed in tones of white and brown and fired, before being covered with a silver glaze and fired again. The layering of glazes produces a surface that shifts in depth and tone depending on the light and angle.
Each work comes with a signed certificate. Every piece is unique, and any irregularities or cracks that appear are not flaws but an integral part of the process and the finished work.
Size: 31.52 cm x 31.52 cm x 6 cm
Patrick Carpentier began working with ceramics during an artist residency in Hanoi in 2019. Confronted with South Asian traditions, he turned to containers as a new form of exploration, drawing inspiration from Korean moon jars, Dogon jars from Mali, South African beer pots, and medieval European ceramics. His pieces reflect a search for form, history, and material that connects past and present.
This plate is made of white clay. It was first glazed in tones of white and brown and fired, before being covered with a silver glaze and fired again. The layering of glazes produces a surface that shifts in depth and tone depending on the light and angle.
Each work comes with a signed certificate. Every piece is unique, and any irregularities or cracks that appear are not flaws but an integral part of the process and the finished work.
Size: 31.52 cm x 31.52 cm x 6 cm
